Arts & Culture Business Resources

Arts. Business. Culture.

The ABCs of Building Your Career and Business in the Performing & Visual Arts Sector

Takin’ care of business. As an artist or performer, whether you’re a newcomer or veteran, it’s not as easy as the old song says.

It’s challenging to build a career that provides reliable paycheques while maintaining excellence and meaning in your medium or music — dollars and business sense don’t always come as naturally as our chosen crafts and passion for performance. 

What’s more, many artists and performers work from show-to-show or contract-to-contract. With the little time that’s left in between, it can be difficult to find a road map to business success. So, with the help of local veterans in culture and entrepreneurial development, the Nelson & District Chamber of Commerce has created a how-to guide specifically for our community’s artists and performers. Since 1893, the Chamber has been here to sustainably develop our economy, create jobs and advocate for businesses of every sorts.  

So now — it’s show time.

Lion’s Gate by Tanya Pixie Johnson created for the 2020 Nelson International Mural Festival.

Let’s take it from the top

Business 101 in the Arts & Culture Sector

Whether you’re just starting your career in arts and culture or a veteran looking to get better at business, here’s a checklist of ‘musts.’ And tips on how to get ‘em done.

  1. Ask yourself one question first. Why? — Know why you want to own and run a business. It shouldn’t only be about making more money.
  2. Be ready to learn and to look for support — Seek out educational opportunities to improve your skills and search for resources. There’re a lot of them. You’ll be surprised.

  3. Write a business plan — Research and critical thinking are vital first steps. What are your business’s aims, and how will you achieve those? Ask yourself some thought provoking questions. What makes you think your art or performances will sell? How do you and your skills differ than those already out there? Then start checking the boxes, making the calls and crunching the numbers.

  4. Understand your customer and market — If you want anyone to buy your art or tickets to your event, you need to know a lot about them, like who they are and where they are.

  5. Understand your competition — They know things you need to know too. How’s your product and brand compare to theirs? What do they charge? Where do they sell or perform? How’s their inventory or touring schedule compare to yours?

  6. Financial management & accounting — Know your numbers. Finances, regular reporting and analysis are the foundation of your business. What are your start-up costs, and where’s the money coming from — a loan, grant, your savings, share holders, crowdfunding? Remember too that grants are gravy — they come and go, and aren’t a source of reliable income. Map out your month-to-month, and year-to-year cash flow prediction. Track expense and revenues day-to-day, at month’s end, and at yearly tax time. Do you have a HST/GST number? Do yo know the requirements of the Canada Revenue Agency? Start with a call to an accountant and a bookkeeper.

  7. Legal & insurance — How will your business be structured: sole proprietorship, partnership, corporation, non-profit? What licences and permits do you need? Are you, your property or studio, your shipping arrangements and your inventory properly insured? Are you in compliance with WorkSafe requirements? Call a lawyer and an insurer.

  8. Marketing & branding — The standard expenditure on annual promotion is about 10-15 per cent of your business’s revenue. So, once you know your audience, strategize how to reach them. Build your customer base by figuring out where your buyers and audiences are, and where they’re most likely to get their information about you and your crafts — posters on popular doorways, social media, a website, ads in media products they read, listen to or watch? And build your brand identifiers — a logo, word mark, slogan, a story or boiler plate,  you name it — something that visually differentiates you from others in your field, and represents your personality, and the art and performances you’re selling. And remember — just because you’re an artist, doesn’t mean you can design a functional and compelling website and logo. Hire a pro, not a pal. Contact a marketer and brand development agency for ideas.  

  9. Team building, vendors & venues — Whether you need employers, contractors or mentors, find the people who have the skills you don’t have, pros who supplement and support your business. Managing people with respect and efficiency is critical to a business’s success. Build mutually beneficial relationships with suppliers, service providers, and folks who book galleries and performance spaces. Learn to communicate effectively, understand each others’ responsibilities, prepare contracts and enjoy the experience of working with others. 

  10. Negotiating & networking — If you’re in business of any sort, arts and culture included, you’re in sales. Know how much your work costs you based on your time and overhead costs. Make sure your rates provide the margin you need to stay in operation. Learn to negotiate effectively by understanding your client’s challenges and how you can help solve those. Consider a ‘no’ a ‘maybe’ and try a new approach. Generate strong media contacts with publications, podcasts or social network platforms that garner your audience’s attention. They’ll be interested in your story if it’s well-told and provides great imagery, sounds and samples. Keep up-to-date databases and mail-out lists. And party with your people! Have fun with others in your field and professionals of all sorts, to learn new ideas and make new contacts. 

  11. Disaster management & succession plans — Stuff happens. And one day, you’ll want to sell or retire. Be ready for either scenario. What will you do in the case of a fire, flood or unexpected loss of your property, instruments or studio space? Have a plan that’ll save inventory, instruments, documents, licences, insurance, databases, orders and contacts — anything that could be difficult or impossible to replace if you have to set up temporary shop somewhere new. Are you near the end of your career, and hope to pass on your successful gallery and its inventory, your festival or studio to a new owner, family or otherwise? A succession plan outlines the ways in which that can happen financially and logistically.

  12. Be strong. — Success, and recovery from rejection or failure, require hard work and resolve.

WHO YA GONNA CALL?

Some of the helpful contacts for art and culture business start up, funding and great advice. (updated January 2026)

City of Nelson
The Grants & Funding Support (ReDi grants) were created by Columbia Basin Trust in 1995 to enhance a broad range of both one-time and ongoing projects. The arts and culture community are an important sector in this process. For more details check out the City’s website.
Deputy Corporate Officer Sonya Martineau
smartineau@nelson.ca
250-352-8234

Regional District of Central Kootenay
All the area districts and communities in the RDCK have separate processes for the ReDi grants. Learn more from the RDCK’s website.
RDCK Grants Coordinator Monique St Louis
grants@rdck.bc.ca
250-352-8170

Community Futures Self Employment Program
futures.bc.ca
info@futures.bc.ca
250-352-1933

Nelson & District Credit Union Community Impact Program
nelsoncu.com
cip@nelsoncu.com
1-877-352-7207

Columbia Kootenay Cultural Alliance / West Kootenay Arts Council
(application intake open annually in January — March)
wkartscouncil.com
admin@wkartscouncil.com
250-352-2421

Osprey Community Foundation
ospreycommunityfoundation.ca
250-352-3643

BC Arts Council
bcartscouncil.ca
BCArtsCouncil@gov.bc.ca
250-356-1718

Creative BC (music/film)
creativebc.com
programs@creativebc.com
1-604-736-7997

Provincial Community Gaming Grant
gov.bc.ca/gov
1-800-663-7867

Vancouver Foundation
vancouverfoundation.ca
info@vancouverfoundation.ca
604-688-2204

BC Alliance For Arts and Culture
allianceforarts.com
604-681-3535

Heritage BC
heritagebc.ca
Heritage Program Coordinator Dr. Maria Paula Arias
marias@heritagebc.ca

Actors Fund of Canada
afchelps.ca
contact@AFChelps.ca
1-877-399-8392

Canada Council For The Arts
canadacouncil.ca
info@canadacouncil.ca
1-800-263-5588

Factor Canada
factor.ca
info@factor.ca
416-696-2215

Canadian Heritage
canada.ca/en/canadian-heritage
info@pch.gc.ca
1-866-811-0055

Arts BC
artsbc.org
programs@artsbc.org
778-410-5104

Take it from them

These locals made it. So can you.

Mike Hodsall

As a professional musician for many years, I strongly suggest getting into the arts not because you dream of dollar signs, but because you live and breathe your craft. Expect to suffer for your art, but remember it’s a business, and a business needs to turn a profit. Start a cover band to pay the bills while you build up your original music. Diversify. Teach music, do podcast work, do anything you possibly can that’s music related to help finance your dream of a career. Know that it’s an incredibly tough business to make a living in. Do it because you love it. Be professional, be thankful, work hard and help out other musicians.

— Mike Hodsall/musician and music teacher — DOA, BC/DC, Circle The Wagons

Lou Lynn

As a visual artist, potter or painter, develop your own visual language. Don’t copy someone else’s style. Same for musicians. Get good at mastering your technique. Know your competition and pay attention to your field. Embrace the idea of marketing. Don’t run from it. You’ll probably have to market far beyond your local community.

— Lou Lynn (visual artist/sculpture) Governor General’s Saidye Bronfman Award, Royal Canadian Academy of Arts inductee)

Vivien Bowers

Develop a ‘bread and butter’ source of writing income such as technical report editing, tourism marketing, or whatever you know something about. Mine was writing school materials. Charge contract rates that truly reflect your overhead costs. If you find a client who treats you well and pays on time, cherish that relationship! Be professional, respect deadlines and word counts, and understand your client’s needs. Communicate well. Ditch the prima donna attitudes; it’s not about you. Get published in magazines or online publications. I’ve never found marketing/advertising my writing services worked. It’s usually word of mouth. Write shorter. Be clear. Write with confidence so your writing sparkles.

— Vivien Bowers (writer/author) Canadian Science Writers Association award win-ner, BC Magazine, In The Path Of An Avalanche

Kari Medig

You’re a one-person small business. So that’s how you operate. If someone’s willing to pay you for your work, go and get it. And act professionally in every aspect. Work hard. Don’t get complacent.

— Kari Medig (photographer) Outside/En Route/National Geographic

Pat Henman

When I went to theatre school to be an actor, they didn’t teach me how to budget or strategize goals and outcomes, or even how to do my taxes as a self-employed artist. The one thing I did figure out real fast was that hard work is your ticket to survival in the arts. Learn how to run your career as a self-employed contract person. Do the homework. Don’t be afraid to ask for help. Learn the funding system and how to prepare a professional grant. And practice your art everyday.

— Pat Henman, Canadian theatre and music industry veteran

Scott Dickson

Art is a trade. So make sure you provide what your client wants. Even by following the client’s desires, an artist can create work that elevates their own knowledge, as a personal study of the design process. You keep the client happy and also educate yourself by moving towards a common goal with them.

— Scott Dickson (artist and illustrator) Red Bull, Fasthouse, Ducati, Hot Wheels

Morien Jones

The practical ones always get business. If you don’t want to do the business operations, find people who can do those things. Have big dreams but focus on attainable steps. It’s a process, so take little steps everyday.

— Morien Jones / songwriter & musician

Lucas Myers

Find someone doing what you want to do, call them and ask them to share their experiences. Rely on the angels — the granting bodies and the people hired to help artists. They’ll help you write grants, find the right ones, track down venues and make connections. National grant bodies are competitive. Look local. There’s far less competition.

— Lucas Myers (stage writer/performer/artistic director) National Theatre School

Jayme Moye

The world will always need creatives—artists, storytellers, performers—but the medium will change as humans continue to evolve. As a writer, I’m experiencing the dissolution of print journalism, but that doesn’t mean storytelling is dying. The need for it is stronger than ever. Don’t mistake the art for the medium.

—Jayme Moye (adventure writer/author) Conde Nast Traveller, National Geographic, Kootenay Mountain Culture

Amy Bohigan

To aspiring creative entrepreneurs, I would worry less about logo design and build relationships. Connect with potential clients, collaborators and mentors. Buy them coffee and listen. Demonstrate professional hustle and stay aligned with the passion that got you this far. You’ll be well on your way to getting your venture off the ground.

— Amy Bohigan / film maker — Knowledge Network, Columbia Basin Trust, Teck

Steve Ogle

My best asset has always been my contacts. I maintain a good dialogue with the people who buy my product and ensure they are getting what they want. If in doubt, I ask them what they want and strive to deliver it.

— Steve Ogle (photographer/writer) Patagonia, Destination British Columbia, Nature Conservancy of Canada

WE’RE HERE TO HELP

For more information talk to our friendly staff at the Nelson & District Chamber of Commerce!

91 Baker Street
Nelson BC
Phone: (250) 352-3433
Toll Free: 1-877-663-5706